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Book 1 of 5 in the Blue is for Nightmares Series.. Table of contents. A committed dancer wins the lead role in a production of Tchaikovsky's "Swan Lake" only to find herself struggling to maintain her sanity. She dates men but finds no satisfaction with them sexually, and is rejected by a female friend who she does desire.


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She dreams of something more. Her relationship with Emma grows into more than just friends as she is the only person with whom she can express herself openly. Put the words together and separately, it does not matter actually. I was watching the film with a sense of bitten apricot in my mouth, so from time to time I kept checking if indeed something was dripping from my lips. In any case, you can feel all kinds of dripping in this garden of delight and from many different angles. A deep diving into puberty, into the raw desires of youth, above the thunderous victory of human need.

Adele is the personification of youth, just in time when it begins to grown. That exact moment when the juices of love are instantly aggressive and the human body seems like a fruit with the heart as a kernel.

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When you are in the midst of immortality, gaining the illusion of eternity, just before the fruit is eaten, shortly before the kernel sits at your neck with the bitter taste of rejection, while you greedily swallow life, which seems so inexhaustible. As a teenager in love and disappointed at the same time. And from that moment I keep seeing little hearts and stars everywhere.

I keep seeing Adele everywhere. Explore popular and recently added TV series available to stream now with Prime Video. Start your free trial. Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! Keep track of everything you watch; tell your friends. Nov 21, Someone really needs to run the duplicate pruner on this one.

Sep 06, Grey is a name. Gray is a color. That one needs to be removed. Nov 30, I removed the Velveteen Rabbit. Search for a book to add a reference. We take abuse seriously in our discussion boards.

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Spam or Self-Promotional The list is spam or self-promotional. Sort order. Start your review of My Name Is Red. May 04, Jim Fonseca rated it really liked it. This book is as much about art as it is a historical novel. First the novel. And there's a murder mystery. Enter a man called Black, an administrator of sorts who has returned to town after twelve years in distant lands. He still carries a torch for the beautiful widow from his days as a youth.

At least half of this lengthy work is about art.

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I say lengthy because the page paperback I read was tiny type, so this is a or page book in normal font. Miniaturist painting was imported into the Ottoman Empire from Persia. Most of the painting was done as pictures in books and to illustrate the borders of pages of books, accompanied by elaborate calligraphy.

Ottoman miniaturist painting was highly stylized. Pictures were drawn from the viewpoint of Allah, from the top of a minaret, and did not use what the West thinks of as true perspective. Armies lined up symmetrically in battle scenes; horses always had the same foreleg raised; a finger placed in a mouth always represented surprise. In accordance with religious concerns about idolatry, faces were generic, not individualized. Who would dare place an identifiable individual at the center of a painting? Man can copy; only Allah can create. So a lot of the book is about East meets West in the art world.

All in all, an excellent book from the Nobel Prize-winning Pamuk. The story kept my interest and I enjoyed learning about Ottoman art, even when the sections where the miniaturists talked about the philosophy behind painting got repetitive at times. View all 29 comments.

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Jul 24, Darcy rated it it was amazing Shelves: twentieth-century-novels , keepers. Generally, when a book starts out with a chapter entitled "I Am A Corpse," you know it's going to be pretty good. The novel is set up so that each chapter introduces a different narrator, including but not limited to , Black, Black's uncle, Shekure, a dog, a horse, the murderer and various artists in the workshop. This type of structure for a mystery novel isn't new--Wilkie Collins, for example, employed it several times, most notably in The Moonstone--and it is an effective way to structure a Generally, when a book starts out with a chapter entitled "I Am A Corpse," you know it's going to be pretty good.

This type of structure for a mystery novel isn't new--Wilkie Collins, for example, employed it several times, most notably in The Moonstone--and it is an effective way to structure a story so as to hide the whodunit.

Each character only tells as much as he, she or it knows and in Pamuk's novel even the murderer hides his or her identity. The structure in "My Name Is Red," though is less designed to sustain suspense and more to allow room for the various philosophical discussions concerning the purpose of art and, perhaps more importantly, the distinctions between Islamic states and Western Europe.

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Black's uncle finds such images alluring and fascinating while others see them as abhorent. Master Osman, for example, sees himself as being forced to choose between the centuries old Islamic traditions he venerates and the more modern and distinctly foreign style he despises. Such a choice is not made easily, as the artists themselves discover. The Frankish method celebrates the individuation of the artist--it prizes the signature of the artist as much as the commissioner of the image.

This reverence for the artist, as much as for the piece of art, proves to be a great temptation to the men involved and leads directly to the murder. The structure, however, also allows for a second discussion, not about art but about writing on art. As much as this is a novel concerning visual images, it is also a novel about ekphrasis--the verbal description of art.

Ekphrasis has the effect of slowing down a narrative, of interrupting it. Thus, in Homer's Illiad, the great battle scene is suddenly punctured by a lengthy description of Achilles' shield. Pamuk plays with this model repeatedly. When the image of the horse, described several times in the novel, is given a voice of its own the narrative is not interrupted, but rather the description of the image becomes the narrative. And, moreover, as the image speaks it refutes the fundamental principles underlying Master Osman's devotion to Islamic traditions of art.

Pamuk can hardly resist the joke--this is a novel about art in which not a single image appears, except the map at the beginning and the ones we create in our minds as we imagine the images described. But, are we creating an image of the ideal horse, the horse of God, or one we can actually touch, taste, and smell? View all 19 comments.